Emerson Meyers, Composer and Pianist, Dies
The
H. Emerson Meyers, a
Mr. Meyers was particularly active
in the
Known then as a dazzling classical
pianist, he helped train young musicians interested in one of music's new
directions, the electronic, tape-augmented tones that were created in
"I couldn't stand the sounds when I first came into contact with them," Mr. Meyers said in an interview 26 years ago. "There was no direction, no form; they were just sensational noises, not music. In fact, I disliked them so much that electronic music aroused my curiosity, and I decided to look into it." He said he soon discovered that a composer had greater control over that kind of music than any other form.
His own compositions, sometimes incorporating the taped sounds of voices and unlikely instruments, were performed in recitals and concerts here and elsewhere in the country.
Washington Post music critic Joseph McLellan described Mr. Meyers's work as wide in range. The composer was "a moody impressionist" in one piece, an "ascetic atonalist," in another, and, in a third, "a parodist whose sense of humor stops a hairsbreadth short of slapstick," McClellan wrote. Mr. Meyers was also a composer who demanded "considerable virtuosity from his performers," the critic said.
In 1964, Mr. Meyers founded the
electronic music center at
Mr. Meyers, a resident of
Hyattsville, was born in
In 1943, he won first prize for chamber music from the National Federation of Music Clubs, one of a number of awards, prizes and commissions that he received over the years.
During World War II, he served as
an Army infantryman in
Mr. Meyer was a member of the board of directors of the National Symphony and a past president of the Washington Music Teachers Association, the Maryland Music Teachers Association, the Eastern Division of the Music Teachers National Association, the Peabody Alumni Association and the Kindler Foundation.
He was a member of the Cosmos Club.